Bruce Dickinson

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Bruce Dickinson
Iron Maiden en Costa Rica Bruce.jpg
Bruce Dickinson performing live in Costa Rica on the Somewhere Back in Time World Tour, 26 February 2008.
Background information
Birth namePaul Bruce Dickinson
Also known as"Bruce Bruce" Dickinson (in Samson years)
Born(1958-08-07) 7 August 1958 (age 55)
Worksop, Nottinghamshire, England
GenresHeavy metal, hard rock
OccupationsMusician, songwriter, pilot, author, broadcaster, entrepreneur
InstrumentsVocals, guitar
Years active1976–present
LabelsEMI, Sanctuary
Associated actsIron Maiden, Samson, Tribe of Gypsies, Ayreon, Godspeed, Sack Trick
Websitewww.screamforme.com
 
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Bruce Dickinson
Iron Maiden en Costa Rica Bruce.jpg
Bruce Dickinson performing live in Costa Rica on the Somewhere Back in Time World Tour, 26 February 2008.
Background information
Birth namePaul Bruce Dickinson
Also known as"Bruce Bruce" Dickinson (in Samson years)
Born(1958-08-07) 7 August 1958 (age 55)
Worksop, Nottinghamshire, England
GenresHeavy metal, hard rock
OccupationsMusician, songwriter, pilot, author, broadcaster, entrepreneur
InstrumentsVocals, guitar
Years active1976–present
LabelsEMI, Sanctuary
Associated actsIron Maiden, Samson, Tribe of Gypsies, Ayreon, Godspeed, Sack Trick
Websitewww.screamforme.com

Paul Bruce Dickinson (born 7 August 1958) is an English musician, airline pilot and broadcaster best known as the lead vocalist of the heavy metal band Iron Maiden.

Dickinson began his career in music fronting small pub bands at school and University, including Styx (not the American band of the same name) in 1976, Speed, (1977–78), and Shots in early 1979. He then joined the band Samson later in 1979, where he gained some popularity under the stage name "Bruce Bruce". He left Samson in 1981 to join Iron Maiden, replacing Paul Di'Anno, and debuted on their 1982 album The Number of the Beast. During his first tenure in the band, they issued a series of US and UK platinum and gold albums in the 1980s, resulting in Dickinson gaining worldwide fame, and becoming one of the most acclaimed heavy metal vocalists of all time.

Dickinson quit Iron Maiden in 1993, being replaced by Blaze Bayley, in order to pursue his solo career which saw him experiment with a wide variety of heavy metal and rock styles. Dickinson rejoined the band in 1999 along with guitarist Adrian Smith, with whom he released four subsequent studio albums. Since his return to Iron Maiden, Dickinson issued one further solo record in 2005, Tyranny of Souls. He is the older cousin of Rob Dickinson, former lead singer of British alternative rock band Catherine Wheel. His son, Austin, is the lead singer in metalcore band Rise to Remain.

Childhood[edit]

Paul Bruce Dickinson was born in the small mining town of Worksop, Nottinghamshire.[1] His mother, Sonia, worked part-time in a shoe shop and his father, Bruce, was a mechanic in the army.[2] Dickinson's birth hurried the young couple, then just teenagers, into marriage.[1] Initially, he was brought up by his grandparents; his grandfather was a coal-face worker at the local colliery and his grandmother was a housewife.[1] This is referred to in his song "Born In '58" from the album Tattooed Millionaire.[3]

Dickinson started school at Manton Primary in Worksop while his parents moved away to Sheffield.[1] Soon afterwards, when he was six, he was also despatched to Sheffield,[4] where he attended Manor Top primary school.[5] After six months, his parents decided to move him to a small private school called Sharrow Vale Junior.[5] Due to constant moving, Dickinson states that this period of his life taught him to be self-reliant as he was unable to make close friends.[6] Dickinson has a younger sister, professional showjumper Helena Stormanns, who was born in 1963.[7] He tried to isolate himself from her as much as he could when he was young, supposedly out of spite because she, unlike him, was a planned pregnancy and birth.[8]

Dickinson's first musical experience was dancing in his grandparents' front room to Chubby Checker's "The Twist", when he still lived with them in Worksop.[9] The first record Dickinson recalls owning was The Beatles single "She Loves You", which he managed to persuade his grandfather to buy him, which made him more interested in music.[9] He tried to play an acoustic guitar belonging to his father, but it blistered his fingers.[5]

By the time he moved to Sheffield, Dickinson's parents were earning a good living from buying property, refurbishing it and then selling it for a profit.[10] As a result, a lot of Dickinson's childhood was spent living on a building site, until his parents bought a boarding house and a bankrupt garage where his father began selling second-hand cars.[5] The income from their business success gave them the opportunity to give Dickinson—then 13 years old—a boarding school education and they chose Oundle, a public school in Northamptonshire.[5] Dickinson was not opposed to moving away from home because he had not built "any real attachment" to his parents, having been raised by his grandparents in Worksop.[5]

At Oundle, Dickinson was picked on and routinely bullied by the older boys of Sidney House, the boarding house that he belonged to,[11] which he described as "like systematic torture" and meant that he became an outsider.[8] His interests at Oundle were often military; he co-founded the school wargames society with Mike Jordan, and he rose to a position of some power in the school's cadet force,[11] with which he was allowed to handle live ammunition, which he used to create explosions as booby-traps.[12]

Oundle was where Dickinson became attracted to heavy rock, after hearing Deep Purple's "Child In Time" being played in another student's room.[12] As a result, the first album he ever bought was Deep Purple's In Rock, which created his interest in rock music.[13] After In Rock, he went on to buy Black Sabbath's debut, Jethro Tull's Aqualung and Tarkus by Emerson, Lake & Palmer.[13] Every term, a band would play at the school, the first of these which Dickinson saw was called Wild Turkey, featuring former Jethro Tull bassist Glenn Cornick.[13] After that, he saw Van der Graaf Generator and Arthur Brown.[13]

Dickinson initially wanted to play the drums,[13] later obtaining a pair of bongo drums from the music room for practice.[14] He remembers playing "Let It Be" with his friend Mike Jordan, during which Dickinson discovered his singing voice while encouraging Jordan to sing the high-notes.[14] Shortly afterwards Dickinson was expelled from Oundle for participating in a prank in which he urinated in the headmaster's dinner.[14]

Returning home to Sheffield in 1976, Dickinson enrolled at a local comprehensive school, at which he joined his first band.[15] He had overheard two other pupils talking about their band and that they needed a singer and so volunteered immediately.[15] They rehearsed in the garage of the drummer's father, and the band were impressed by Dickinson's singing, encouraging him to buy his first microphone.[15] Their first gig took place at the Broadfield Tavern in Sheffield.[15] Originally called "Paradox", the band changed their name on Dickinson's suggestion to "Styx", unaware of the American act with the same name.[16] They made local newspaper headlines when a steel worker was awoken by their performance and tried to smash the band's drum kit.[17] Soon afterwards the band split up.[16]

University[edit]

After leaving school with A-levels in English, History and Economics, Dickinson confessed, "I didn't really know what I wanted to do."[16] The first thing he did was join the Territorial Army for six months.[16] Although he enjoyed his time in the TA, Dickinson realised that it was not a career choice, and so he applied for a place to read history at Queen Mary College, in London's East End.[16] His parents wanted him in the army, but he told them that he wanted to get a degree first, which acted as his "cover story", and immediately began playing in bands.[16]

In college, Dickinson got involved in the Entertainments Committee: "one day you'd be a roadie for The Jam, the next you'd be putting up the Stonehenge backdrop for Hawkwind or whatever."[18] In 1977, Dickinson met Paul "Noddy" White, a multi-instrumentalist who owned a PA and other equipment, with whom Dickinson, along with drummer Steve Jones, would form a band together called Speed.[18] According to Dickinson, the band was called Speed because of the way in which they played, rather than a reference to drug-taking. [18] In Speed, Dickinson began writing his own material after White taught him how to play three chords on the guitar.[18]

Although Speed would play several gigs at the Green Man pub in Plumstead, the band did not last long, but it encouraged Dickinson to continue to work toward being a musician.[18] Dickinson spotted an advertisement in Melody Maker with the caption "Singer wanted for recording project" and replied immediately.[18] He recorded a demo tape and sent it with a note which read: "By the way, if you think the singing's crap, there's some John Cleese stuff recorded on the other side you might find amusing."[18] They liked what they heard and invited Dickinson down to the studio to make "Dracula", the first song he would ever record, with a band called "Shots",[18] formed by two brothers, Phil and Doug Siviter.[19] The song would later appear on the second disc of The Best of Bruce Dickinson compilation. The brothers were impressed with Dickinson's vocal abilities and asked him to join their group.[20]

Dickinson played pubs with Shots on a regular basis to small audiences.[20] One particular night, Dickinson suddenly stopped in the middle of a song and started interviewing a man in the audience, heckling for not paying enough attention.[20] He got such a good response he started doing it every night until it became a regular routine used to catch the audience's attention. Dickinson states that this experience taught him how to be a frontman.[20]

The next step in Dickinson's career was taken in a pub called the Prince of Wales in Gravesend, Kent, where Shots were playing regularly, when Barry Graham ("Thunderstick") and Paul Samson paid a visit.[21] Impressed with his stage-act, they talked with Dickinson afterwards and invited him to be their new singer.[22] Dickinson agreed to join their band, Samson, but only once he'd finished taking his History finals two weeks later.[22] Until that point, he had been neglecting his University education.[22] As a result, the University had tried to kick him out for failing his Second Year exams and not paying his accommodation fees, but was saved because of his role as Entertainments Officer.[22] After writing 6 months worth of essays in the space of two weeks and some last minute cramming for his exams, Dickinson achieved a 2:2.[22]

On 19 July 2011, Dickinson was presented with an honorary music doctorate from Queen Mary College, in honour of his contribution to the music industry.[23][24]

Samson: 1979–1981[edit]

"In my naïvety, I thought people who were in rock 'n' roll bands were great artists, and it was a huge shock to the system to realise that they weren't, that they didn't even aspire to be, really. Some of them did, maybe, but some of them, like Samson, were very frightened of the idea."

—Bruce Dickinson on his Samson band-mates.[25]

After meeting Paul Samson and Barry Purkis at the Prince of Wales, and while still undertaking his final university exams, Dickinson joined Samson onstage at Bishop's Stortford to perform one of their songs, "Rock Me Baby", cementing his role as their new lead vocalist.[26]

The band had already released their debut album, Survivors, in 1979 on an independent label, two months before Dickinson joined.[22] Immediately following the completion of his University work, he met up with the band at Greenwich's Wood Wharf studios to learn the Survivors album.[27] Although the tracks did not suit his vocal style,[28] the band soon wrote the majority of the following Head On album in their earliest rehearsal sessions,[29] some of which were immediately incorporated into their live set.[28]

It was during these early rehearsals that the nickname "Bruce Bruce" came about, derived from Monty Python's "Bruces sketch".[29] The name became very tiresome as the band's management continually wrote dud cheques, made payable to "Bruce Bruce", as a joke.[30] Dickinson later commented that he did not like it but considered it "a sort of stage name" and accepted it.[30]

Dickinson was dismayed to learn that not all rock performers were "great artists"; he felt that some, such as Samson, were only interested in women, drugs and alcohol, which he was unable to relate to.[25] Although he had smoked joints before,[25] Dickinson discovered that it was impossible to communicate with other band members if he was sober, deciding that it was "the price that had to be paid".[30]

While fronting the band, Dickinson also came across Iron Maiden for the first time, who were supporting Samson at the Music Machine in 1980.[31] As Dickinson recalls; "I was watching them, and they were good, really fucking good, and at that moment, I remember thinking, 'I wanna fucking sing for that band. In fact, I'm going to sing for that band! I know I'm going to sing for that band!' ... I just thought, 'This is really me. Not Samson.'"[31]

Dickinson remained in the band for another year, recording two studio albums with them—Head On and Shock Tactics.[30] However, Samson soon ran into difficulties with their record label, Gem, who went out of business and failed to finance their European tour in support of Iron Maiden.[32] The band were turned over to RCA, which began neglecting the group, and so they promptly fired their management team and the resulting injunction meant that their equipment was reclaimed and they could not be paid for their concert performances.[32] The band's last gig was at Reading Festival, after which Dickinson was approached by Iron Maiden's manager, Rod Smallwood, who asked him to audition to be their new lead vocalist.[33]

Iron Maiden[edit]

Beginnings and success: 1981–1985[edit]

Bruce Dickinson, left, performing on his first world tour with Iron Maiden in 1982

Dickinson went to audition for Iron Maiden at a rehearsal room in Hackney in September 1981 and immediately discovered that this was a much more professional operation than he was used to with Samson.[34] In the practice rooms, the band played through "Prowler", "Sanctuary", "Running Free" and "Remember Tomorrow", before asking Dickinson to sing the same songs again in a recording studio, and he was immediately inducted into the group.[34]

Iron Maiden had a strict and organised routine that suited the band's writing style, which Dickinson described as a "time table".[35] After a few gigs, they began writing new material for their third album, The Number of the Beast, released in 1982. In the wake of Samson's contractual problems, Dickinson could not legally be credited on any of the record's songs,[36] having to make, what he called, a "moral contribution", later revealing that he had contributed limited creative input to "The Prisoner", "Children of the Damned" and "Run to the Hills".[37] The album was a major success, topping the UK charts,[38] and earning platinum status in the UK and the US.[39] Following the release, the band embarked on a supporting tour around the globe.

"I guess it was the first time I really thought about leaving. I don't just mean Iron Maiden, I mean quitting music altogether. I just thought, 'Nothing is worth feeling like this for.' I began to feel like I was a piece of machinery, like I was part of the lighting rig."

— Bruce Dickinson on 1984-5's World Slavery Tour.[40]

On the following albums, 1983's Piece of Mind and 1984's Powerslave, Steve Harris's song-writing monopoly was pushed aside in favour of other members' ideas, with Dickinson contributing to a number of tracks, including the singles "Flight of Icarus" and "2 Minutes to Midnight".[41] Throughout the World Slavery Tour, as part of the new theatrical elements incorporated into the band's stage-show, Dickinson wore a feathered mask during "Powerslave".[42] This was the band's longest tour to date, during which Dickinson considered going home mid-tour, due to the high number of shows.[43] Iron Maiden's management were continually adding dates, until Dickinson demanded that they stop or he would leave the group.[40]

Growing tensions and departure: 1986–1993[edit]

After a six-month break, which Dickinson mostly spent practising fencing,[44] Iron Maiden began writing their next album, Somewhere in Time, but Dickinson was unhappy with its synthesised bass and guitars and the progressive rock-influenced style.[45] He has no writing credits on the release, as his material, based on his own suggestion that the album should be more acoustic-based, was rejected by the rest of the band.[46] Dickinson explains that he felt it was time "to do something audacious", and was disappointed with the album.[46] Steve Harris, on the other hand, stated that his material was rejected because it was not good enough, and that Dickinson "was probably more burnt out than anyone at the end of the last tour".[47]

After a subsequent tour, Iron Maiden started working on their next studio effort, Seventh Son of a Seventh Son, which became their second release to top the UK charts,[38] although it was also Dickinson's first album with the band which did not achieve platinum status in the US.[48] Unlike Somewhere in Time, Dickinson was much more enthusiastic about this album due to its concept and has several song-writing credits.[49] After the following tour in 1988, the band decided to take a year off.[50]

"I thought it wouldn't be a problem to go out and do the shows at all ... but it wasn't a good vibe ... we walked out onstage and it was like a morgue. The Maiden fans knew I'd quit, they knew these were the last gigs, and I suddenly realised that, as the frontman, you're in an almost impossible situation. If you're like, 'Wow, this is really fucking cool tonight, man,' they're all gonna sit there going, 'What a wanker. He's leaving. How can it be cool?' Or do you go on and say, 'Look, I'm really sorry I'm leaving – not to put a damper on the evening, but I am quitting'? I mean, what do you do?"

— Dickinson on his farewell tour with Iron Maiden.[51]

During the next album's writing stage, Adrian Smith left Iron Maiden, and was replaced by Janick Gers. Iron Maiden's eighth studio release, 1990's No Prayer for the Dying, had a raw sound that, according to AllMusic, did not "hold up well" compared to past efforts,[52] as it was recorded in a barn which Steve Harris owned, with a mobile studio owned by the Rolling Stones.[53] The record featured Dickinson's "Bring Your Daughter... to the Slaughter", originally composed for a film soundtrack, which despite receiving a Golden Raspberry Award for worst original song in 1989, became the band's first and only single to top the UK singles chart.[38] By 1992, Harris had converted his barn into a proper studio, and the new album, Fear of the Dark, was recorded there,[54] resulting in a better overall sound than No Prayer for the Dying,[55] although Dickinson still claims it had limitations due to its size.[53]

After the Fear of the Dark Tour, Dickinson decided to leave Iron Maiden to concentrate on his solo career.[56] At that point the band had already booked a following tour in 1993, which Dickinson did not enjoy. Throughout the tour, Dickinson drew a lot of criticism from his band mates, with Steve Harris in particular saying, "I really wanted to kill him."[51] According to Harris, Dickinson would only perform when the press was there,[57] whereas at other concerts he would only mumble his way through songs.[51] Dickinson has since denied the accusations that he was deliberately under-performing, arguing that it was impossible to give a decent performance some nights because of the atmosphere.[57] His last performance with the band was filmed by the BBC at Pinewood Studios and released as a live video, entitled Raising Hell.[58]

Return: 1999–present[edit]

Performing on 6 July 2010 during The Final Frontier World Tour. The 2010 leg consisted primarily of material released since Dickinson's return to Iron Maiden in 1999.[59]

Along with Adrian Smith, Dickinson rejoined Iron Maiden in 1999 with Janick Gers remaining in the band, after he was approached by manager Rod Smallwood.[60] Smallwood also spoke to Steve Harris about Dickinson's return, who initially had reservations about the prospect, but soon came round to the idea, deliberating that they knew of his abilities and that it was a case of "better the devil you know".[60] Harris and Dickinson agreed to meet at Smallwood's home in Brighton in January 1999 for the first conversation they would have with each other since 1993.[61] Although both men were nervous about the encounter, upon seeing each other the tension immediately dissipated and both agreed that Dickinson should return to the group.[61]

After embarking on a small tour, the band set about recording Brave New World, their first studio album with Dickinson since 1992. Dickinson insisted that they find a replacement for the now retired Martin Birch, the band's regular producer, and record in a different studio than the one in which they made No Prayer for the Dying and Fear of the Dark, to which Harris agreed.[62] The album was recorded at Guillaume Tell Studios, Paris with producer Kevin Shirley,[63] after which Iron Maiden undertook a supporting tour culminating with a performance at the Rock in Rio festival before a crowd of 250,000.[64]

In 2003 they recorded and released Dance of Death at London's SARM Studios with Kevin Shirley, now the band's new regular producer.[65] After two further stints on the road (Dance of Death World Tour and Eddie Rips Up the World Tour) Iron Maiden returned to SARM in 2006 to record their next studio album, A Matter of Life and Death,[66] and embarked on a supporting tour. In 2008 and 2009, the band set out on the Somewhere Back in Time World Tour,[67] which has since been described as "groundbreaking"[68] for its use of Ed Force One, the band's customised Boeing 757, flown by Dickinson himself,[67] and led to the documentary film Iron Maiden: Flight 666, which had a limited cinema release in April 2009.[69] Iron Maiden held another world tour in 2010 and 2011 in support of The Final Frontier,[70] their first album recorded at Compass Point Studios, Nassau, Bahamas since 1986's Somewhere in Time,[71] and which peaked at No. 1 in 28 countries.[72]

Ozzfest incident[edit]

Performing "The Trooper" with Iron Maiden in Paris, France, 1 July 2008. Dickinson has always waved a Union Flag during live renditions of the song.[73]

In 2005, Iron Maiden co-headlined the US festival tour, Ozzfest, with Black Sabbath. Lead singer Ozzy Osbourne's wife, Sharon, encouraged family friends and members of other bands to sabotage Iron Maiden's last performance at Hyundai Pavilion in San Bernardino, California on 20 August,[74] in an attack which Rod Smallwood criticised as "vile, dangerous, criminal and cowardly", as well as disrespectful to fans who had paid to see the band perform "a full unhindered performance".[75] Osbourne ordered interference with the band's PA, delayed the entrance of Eddie, the band's mascot,[76] and encouraged members of the Osbourne camp to throw eggs, lighters and bottle tops from the front of the audience.[77] According to Dickinson, the attack was in response to his "disparaging remarks about reality-TV shows that she took personally",[77] although The Guardian reported that he slated the Osbournes' reality series and accused Ozzy Osbourne of using a teleprompter.[76] Dickinson has since denied making comments against Ozzy Osbourne and Black Sabbath,[78] but admitted that he criticised Ozzfest throughout the tour, attacking their "corporate" seating layout and the fact that "Most of the bands are there because they paid to be there."[79]

Following the concert at San Bernardino, Osbourne released a further statement which accused Dickinson of making several anti-American comments,[80] of which Classic Rock claimed that "nobody can present any cast-iron evidence."[73] In addition, Osbourne claimed that the flag-waving during "The Trooper" was disrespectful to American troops,[80] at the time fighting alongside the British in Iraq, even though Dickinson had always held a Union Flag during the song, being based on the Battle of Balaclava during the Crimean War.[73] It was also reported that Steve Harris had spoken to Ozzy Osbourne in San Bernardino, apologising for Dickinson's comments,[81] which Harris denies, stating that his words had been "twisted".[78]

Solo career[edit]

In early 1989, Zomba asked Dickinson to produce a track for the movie A Nightmare on Elm Street 5: The Dream Child,[82] providing a budget, a studio, and a producer, Chris Tsangarides. Dickinson took up the opportunity and called an old friend of his, former Gillan guitarist, Janick Gers, and, shortly after meeting up, they had "Bring Your Daughter to the Slaughter" ready for the studio,[83] then recorded with the assistance of bassist Andy Carr, and drummer Fabio del Rio.[84] "I wrote it in about three minutes", states Dickinson, "I don't know where the title 'Bring Your Daughter to the Slaughter' came from, but it just popped into my head. I thought, 'Bloody hell, straight out of AC/DC!' And I thought, 'Nightmare on Elm Street. Yeah, that'll do.'[85] Impressed with the results, Zomba asked Dickinson if he was willing to record a whole album as well.[85] With the same line-up and producer, Dickinson's solo debut, Tattooed Millionaire, was written and recorded within two weeks, and released in May 1990,[85] followed by a supporting tour.[86]

Later that year, Dickinson participated on a re-recording of Deep Purple's "Smoke on the Water", as part of the humanitarian effort Rock Aid Armenia.[87] Backed by the band Skin, he produced a cover version of Alice Cooper's "Elected", along with Rowan Atkinson (in character as Mr. Bean), which was used in 1992 for Comic Relief,[88] and five years later, on Bean Soundtrack.[89]

Dickinson performing with Tribuzy in São Paulo, 11 November 2005. The performance was recorded for a live album, entitled Execution – Live Reunion.

For his second solo effort, Dickinson received the collaboration of American producer, Keith Olsen, and, while working on the record in LA, decided to leave Iron Maiden.[56] Unhappy with the direction he was taking with Olsen, Dickinson began working with Tribe of Gypsies guitarist Roy Z and started the album again from scratch.[35] Balls to Picasso was recorded with Tribe of Gypsies as the backing band,[35] and was released in 1994. That same year, Dickinson recorded a cover version of "Sabbath Bloody Sabbath" with the band Godspeed for Black Sabbath's tribute album Nativity in Black.[90] Tribe of Gypsies departed to work on their own material and Dickinson tracked down another band, including his new writing partner and guitarist, Alex Dickson.[35]

After the Balls to Picasso supporting tour finished, he started working on a new studio record, Skunkworks. Dickinson decided that Skunkworks would be the title of the band as well, but the record company refused to release the album without his name on the cover.[91] Dickinson hired producer Jack Endino, most noted for producing the first Nirvana album. The "Skunkworks" entity ceased to be when the tour ended. "I was devastated by the Skunkworks thing", stated Dickinson, "Skunkworks was a record which I tore myself apart to make and nobody seemed to give a shit."[92]

After a short period of inactivity, Dickinson once again teamed up with Roy Z and Tribe of Gypsies to record his next album, Accident of Birth; "It was actually Roy that dragged me back into some assemblance, because he called up and he said, 'Listen, I've got some stuff and it's like a metal record.' And I wasn't thrilled, I wasn't really sure that I had anything to offer... Then he played me some backing-tracks he'd done for what was to become Accident of Birth down the phone and I thought 'There is something there.'"[92] Former Iron Maiden guitarist, Adrian Smith, was asked to guest on the record, but remained as a full-time member of Dickinson's solo outfit.[93] The album marked a return to heavy metal for Dickinson, with Sputnikmusic remarking, "The album's heavy feel is very satisfying, and definitely fills that void left by Maiden during the 90's."[93] The follow-up, The Chemical Wedding, was a semi-concept album on alchemy, which drew inspiration from William Blake's writings; with some songs, such as "Book of Thel", having the same title as some of his poems, and the cover artwork featuring one of his paintings.[92] The record was even more successful than its predecessor, with Sputnikmusic commenting, "Bruce had shattered all expectations to create an album that might even be better than the previous one."[94] During The Chemical Wedding's supporting tour, the live album, Scream for Me Brazil was recorded in São Paulo, after which Dickinson and Smith returned to Iron Maiden in February 1999.

In 2000, Dickinson performed vocals on the song, "Into the Black Hole", for Ayreon's Universal Migrator Part 2: Flight of the Migrator.[95] Later that year, he collaborated with Judas Priest's front-man, Rob Halford, recording, "The One You Love to Hate", for Halford's debut, Resurrection.[96] A compilation, entitled The Best of Bruce Dickinson, was released in late 2001, including two new songs and a bonus disc of rarities.[97] His latest solo album, Tyranny of Souls was released in May 2005. This time the song-writing was all split between Roy Z and Dickinson and many songs were composed by Z sending recordings of riffs to Dickinson while he was on tour with Iron Maiden.[98] On 21 June 2005, Dickinson's complete solo discography was re-released, featuring bonus discs with rare and remastered tracks. That same year, Dickinson contributed to the song, "Beast in the Light", from Tribuzy's album, Execution, and their subsequent live album.[99] A three-DVD box set, entitled Anthology, was released on 19 June 2006, containing concerts and promo videos from throughout his solo career, as well as an old Samson video, entitled "Biceps of Steel".[100]

Personal life[edit]

Dickinson has three children with his second wife, Paddy: Austin, born 1990, Griffin, born 1992, and Kia, born 1994.[101] All three of his children were born in Chiswick, west London,[101] where he has lived since 1981.[102] Dickinson was first married to Jane in 1983,[44] from whom he was divorced in 1987.[103]

His first son, Austin, is the lead singer in metalcore band Rise to Remain,[104] while his second son, Griffin, has worked as a stage carpenter for Iron Maiden while they are on tour.[105] Dickinson's cousin, Rob, was the lead singer of British alternative rock band Catherine Wheel,[106] and his sister, Helena Stormanns, is a professional show jumper.[101]

In an interview with Sarah Montague for BBC's HARDtalk, Dickinson described himself as a conservative and a eurosceptic.[107]

Other work[edit]

Dickinson's interests include literature, writing, fencing (at which he has competed internationally, placing 7th in Great Britain,[108] and has founded a fencing equipment company under the brand name "Duellist"),[109] railway technology and aviation. Due to the wide variety of Dickinson's pursuits, Intelligent Life named him as a living example of a polymath in 2009.[110]

Aviation[edit]

Bruce Dickinson in a flight suit while filming Flying Heavy Metal.

Dickinson learned to fly recreationally in Florida in the 1990s[111] and now holds an airline transport pilot's licence. He regularly flew Boeing 757s in his role as captain for the now-defunct UK charter airline Astraeus,[112] which, from 16 September 2010, employed him as Marketing Director.[113] One of his key roles in that position was to promote Astraeus' services by increasing their number of videos,[114] leading to the UK Civil Aviation Authority releasing a video featuring Dickinson on aircraft loading safety in June 2011.[115]

Following Astraeus' closure on 21 November 2011, Dickinson branched into entrepreneurship when he launched Cardiff Aviation Ltd on 1 May 2012, an aircraft maintenance business based at the Twin Peaks Hangar in St Athan, Vale of Glamorgan, Wales.[116] According to The Wall Street Journal, in January 2013 Cardiff Aviation had created 40 jobs and hoped to have over a hundred personnel by the summer of 2013.[117] In June 2013, The Daily Telegraph reported that the business had expanded to between 60 and 70 employees and are in discussions to set up their own airline.[118]

His role as a pilot has led to some high-profile flights, which include returning a group of British RAF pilots from Afghanistan in 2008,[119] 200 UK citizens from Lebanon during the Israel/Hezbollah conflict in 2006,[120] and 180 stranded holiday makers from Egypt following the collapse of XL Airways UK in September 2008.[121] In addition, he flew Rangers F.C. and Liverpool F.C. to away matches in Israel and Italy in 2007 and 2010 respectively.[122] For the 2008–2009 "Somewhere Back in Time World Tour," he piloted Iron Maiden's chartered Boeing 757, dubbed "Ed Force One", specially converted to carry the band's equipment between continents,[67] which subsequently led to a documentary film, Iron Maiden: Flight 666.[123] Dickinson flew "Ed Force One" again for "The Final Frontier World Tour" in 2011.[124]

Radio and TV[edit]

Dickinson presented Bruce Dickinson's Friday Rock Show on BBC radio station 6 Music from 2002–2010. In March 2010, the BBC announced that, after over eight years, Dickinson's show was to be axed.[125] His final broadcast was on 28 May 2010, with the regular format abandoned in favour of a personal and musical tribute to the recently deceased Ronnie James Dio. Dickinson scorned the BBC executives for the cancellation, playing the Johnny Paycheck version of "Take This Job and Shove It".[126] In addition to his show on 6 Music, Dickinson also hosted a series entitled Masters of Rock on BBC Radio 2 from 2003 to 2007.[127]

In 2005, Dickinson hosted a 5-part historical TV series about aviation, Flying Heavy Metal, which was shown on the Discovery Channel, and later on Discovery Turbo in the UK.[101] He was a guest on an episode of the Military Channel's The Greatest Ever, where he drove a Russian T-34 tank. In 2006, Dickinson presented a documentary for Sky One entitled Inside Spontaneous Human Combustion with Bruce Dickinson, in which he investigated the phenomenon by enlisting the help of several experts and performing various experiments to determine its possible cause.[128] Other television appearances include guesting on quiz shows such as Never Mind the Buzzcocks and the short-lived Space Cadets, as well as the chat show Clarkson, hosted by Jeremy Clarkson.[129] Dickinson has also appeared in a BBC series called The Paradise Club, undertaking the role of a musician named Jake Skinner.[86] On 27 July 2012, Dickinson spent a day being filmed as a guest star for a season five episode of Ice Pilots NWT, in which he flew a Douglas DC-3 and took part in "touch-and-go drills" in a Douglas DC-4 with Buffalo Airways.[130]

Writing[edit]

"I always fancied the idea of writing a book, and I was bored on the road, so I sat down and started at page one! I had an idea for this character called Lord Iffy Boatrace, who's an upper class chinless wonder. I wrote it the same way I write a song. Write the first note, and don't know what the second one's going to be. About halfway through you suddenly realise what it is you're writing about."

— Bruce Dickinson on writing his first novel.[131]

During a 1986–1987 Iron Maiden tour, and in the wake of a divorce, Dickinson started writing his first book.[103] Inspired by the novels of Tom Sharpe, in addition to Biggles and Penthouse, he created The Adventures of Lord Iffy Boatrace,[132] which Kerrang! describes as "a satirical swipe at fetishism among the upper classes",[131] and whose title character is a "semi-transvestite" British land owner.[132]

Following its completion, Dickinson approached Sidgwick & Jackson, who, according to Dickinson, agreed to publish the book before reading it based on Iron Maiden's album sales alone.[131] Released in 1990 (ISBN 0-283-06043-3), the novel sold more than 40,000 copies almost immediately.[133] Due to the high demand, Sidgwick & Jackson asked Dickinson to produce a sequel,[133] which became 1992's The Missionary Position (ISBN 0-283-06092-1), a satire of televangelism.[133] No further additions to the series have been published, although Dickinson did write the first 60 pages to a prequel, set during "Lord Iffy's schooldays", which he "just thought was rubbish and ripped it all up. I didn't think it was funny."[134]

Dickinson has turned his hand to scriptwriting, co-authoring Chemical Wedding with director Julian Doyle. The film, in which Dickinson played a few small cameo roles and composed the soundtrack, was released in 2008 and starred Simon Callow.[135]

Singing style[edit]

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Dickinson's debut Iron Maiden release.

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The title track from Brave New World (2000) demonstrates how Dickinson's voice has lowered with age.

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Although Dickinson never received formal training, he still possessed a wide vocal range which was trademarked by his quasi-operatic tenor. Along with Ronnie James Dio and Rob Halford, Dickinson is one of the pioneers of the operatic vocal style later to be adopted by power metal vocalists and regularly appears near the top in lists of the greatest rock vocalists/front-men of all time.[136] Dickinson says that his style was influenced primarily by Arthur Brown, Peter Hammill (Van der Graaf Generator), Ian Anderson (Jethro Tull) and Ian Gillan (Deep Purple).[97]

Dickinson's singing varied notably in the 1990s in the recording of albums such as No Prayer for the Dying, Fear of the Dark and his first solo work Tattooed Millionaire, making use of a much more raspy and unpolished sound,[137] befitting their stripped down style.[138] Since returning to Iron Maiden in 1999, his singing style has returned to much like it was in the 1980s,[139] though his voice has lowered with age.[140]

Discography[edit]

Iron Maiden
Bruce Dickinson
Samson

^ * Dickinson appeared on the album's re-issue only, as it had been originally completed before he joined the band.

Notes[edit]

  1. ^ a b c d Wall 2004, p. 198.
  2. ^ Wall 2004, p. 198; Shooman 2007, p. 11.
  3. ^ Shooman 2007, p. 119.
  4. ^ Wall 2004, p. 200.
  5. ^ a b c d e f Wall 2004, p. 201.
  6. ^ Wall 2004, p. 202.
  7. ^ Shooman 2007, p. 12; D'Souza 2005.
  8. ^ a b Wall 2004, p. 203.
  9. ^ a b Wall 2004, p. 199.
  10. ^ Shooman 2007, p. 12.
  11. ^ a b Shooman 2007, p. 13.
  12. ^ a b Wall 2004, p. 204.
  13. ^ a b c d e Wall 2004, p. 205.
  14. ^ a b c Wall 2004, p. 206.
  15. ^ a b c d Wall 2004, p. 207.
  16. ^ a b c d e f Wall 2004, p. 208.
  17. ^ Shooman 2007, p. 17.
  18. ^ a b c d e f g h Wall 2004, p. 209.
  19. ^ Shooman 2007, p. 21.
  20. ^ a b c d Wall 2004, p. 210.
  21. ^ Shooman 2007, p. 33.
  22. ^ a b c d e f Wall 2004, p. 211.
  23. ^ Dome 2011.
  24. ^ Queen Mary, University of London 2011.
  25. ^ a b c Wall 2004, p. 212.
  26. ^ Shooman 2007, p. 35.
  27. ^ Shooman 2007, p. 36.
  28. ^ a b Shooman 2007, p. 40.
  29. ^ a b Shooman 2007, p. 38.
  30. ^ a b c d Wall 2004, p. 213.
  31. ^ a b Wall 2004, p. 214.
  32. ^ a b Wall 2004, p. 216.
  33. ^ Wall 2004, p. 217.
  34. ^ a b Wall 2004, p. 218.
  35. ^ a b c d Book of Hours 1996.
  36. ^ Wall 2004, p. 224.
  37. ^ Shooman 2007, p. 82.
  38. ^ a b c Official Charts Company.
  39. ^ BPI; RIAA.
  40. ^ a b Wall 2004, p. 255.
  41. ^ Prato.
  42. ^ EMI 2008.
  43. ^ Stenning 2006.
  44. ^ a b Shooman 2007, p. 100.
  45. ^ Prato(2).
  46. ^ a b Wall 2004, p. 260.
  47. ^ Wall 2004, p. 261.
  48. ^ RIAA.
  49. ^ Wall 2004, p. 265.
  50. ^ Wall 2004, p. 273.
  51. ^ a b c Wall 2004, p. 296.
  52. ^ Prato(3).
  53. ^ a b Berelian 2000.
  54. ^ Wall 2004, p. 289.
  55. ^ Prato(4).
  56. ^ a b Wall 2004, p. 293.
  57. ^ a b Wall 2004, p. 297.
  58. ^ Wall 2004, p. 298.
  59. ^ Dodero 2010.
  60. ^ a b Wall 2004, p. 328.
  61. ^ a b Wall 2004, p. 329.
  62. ^ Wall 1999.
  63. ^ Wall 2004, p. 342.
  64. ^ Wall 2004, p. 349.
  65. ^ Wall 2004, p. 368.
  66. ^ Lane 2006.
  67. ^ a b c Barton 2007.
  68. ^ Bezer 2011.
  69. ^ Michaels 2009.
  70. ^ Bezer 2010.
  71. ^ Lawson 2010.
  72. ^ Coleman 2011.
  73. ^ a b c Classic Rock 2005.
  74. ^ Sullivan 2005; Blabbermouth.net 2005b.
  75. ^ KNAC 2005.
  76. ^ a b Sullivan 2005.
  77. ^ a b Wilde 2008.
  78. ^ a b Dome 2006.
  79. ^ Blabbermouth.net 2006c.
  80. ^ a b Blabbermouth.net 2005a.
  81. ^ Classic Rock 2005; Blabbermouth.net 2005a.
  82. ^ Nightmare on Elm Street Films.
  83. ^ Shooman 2007, p. 116.
  84. ^ Shooman 2007, p. 117.
  85. ^ a b c Wall 2004, p. 281.
  86. ^ a b Shooman 2007, p. 122.
  87. ^ ProgArchives.com.
  88. ^ Discogs.
  89. ^ AllMusic.
  90. ^ Parisien.
  91. ^ Shooman 2007, p. 155.
  92. ^ a b c Book of Hours 1998.
  93. ^ a b Stagno 2006d.
  94. ^ Stagno 2006e.
  95. ^ Aardschok 2000.
  96. ^ Adams 2000.
  97. ^ a b dmme.net 2001.
  98. ^ Book of Hours 2005.
  99. ^ AllMovie.
  100. ^ Blabbermouth.net 2006b.
  101. ^ a b c d D'Souza 2005.
  102. ^ Chiswickw4.com 2011.
  103. ^ a b Shooman 2007, p. 102.
  104. ^ Le Miere 2012.
  105. ^ EMI 2011.
  106. ^ Soren 1992.
  107. ^ HARDtalk 2012.
  108. ^ Hochman 1999.
  109. ^ Duellist; Hannah 2012.
  110. ^ Cumming 2009.
  111. ^ Sorel-Cameron 2007.
  112. ^ Warwick 2007; The Independent 2011.
  113. ^ Michaels 2010; Banham 2010.
  114. ^ Banham 2010.
  115. ^ Civil Aviation Authority 2011.
  116. ^ BBC News Online 2012.
  117. ^ Jolis 2013.
  118. ^ Quinn 2013.
  119. ^ The Independent 2008.
  120. ^ KNAC 2006.
  121. ^ Gillan 2008.
  122. ^ BBC News Online 2007; BBC News Online 2010.
  123. ^ BBC News Online 2009.
  124. ^ Dome 2010.
  125. ^ Plunkett 2010.
  126. ^ BBC Online 2010.
  127. ^ Blabbermouth.net 2003; BBC Online 2007.
  128. ^ Blabbermouth.net 2006a.
  129. ^ Clarkson 1998.
  130. ^ Garbutt 2012.
  131. ^ a b c Hotten 1990.
  132. ^ a b Shooman 2007, p. 104.
  133. ^ a b c Shooman 2007, p. 105.
  134. ^ Shooman 2007, p. 125.
  135. ^ Tookey 2008.
  136. ^ Roadrunner Records 2011; Hit Parader 2010; Blabbermouth.net 2009; Graham 2009.
  137. ^ Stagno 2006c.
  138. ^ Wall 2004, p. 283.
  139. ^ Stagno 2006a.
  140. ^ Stagno 2006b.

References[edit]

External links[edit]