Born Under Punches (The Heat Goes On)

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"Born Under Punches (The Heat Goes On)"
Song by Talking Heads from the album Remain in Light
Released8 October 1980
RecordedJuly - August 1980
GenreNew wave, funk rock
Length5:46
LabelSire Records
ComposerDavid Byrne, Chris Frantz, Jerry Harrison, Tina Weymouth, Brian Eno
ProducerTalking Heads/Brian Eno
Remain in Light track listing
"Born Under Punches (The Heat Goes On)"
(1)
Crosseyed and Painless
(2)
 
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"Born Under Punches (The Heat Goes On)"
Song by Talking Heads from the album Remain in Light
Released8 October 1980
RecordedJuly - August 1980
GenreNew wave, funk rock
Length5:46
LabelSire Records
ComposerDavid Byrne, Chris Frantz, Jerry Harrison, Tina Weymouth, Brian Eno
ProducerTalking Heads/Brian Eno
Remain in Light track listing
"Born Under Punches (The Heat Goes On)"
(1)
Crosseyed and Painless
(2)

"Born Under Punches (The Heat Goes On)" is the opening track of the Talking Heads album Remain in Light.[1] The track has a prominent bassline and sets the funk tone of the album. A live rendition of the song was included with a long bass intro on the 2004 re-issue of the live album The Name of This Band Is Talking Heads.

The song was included as the first track to Röyksopp's mix album Back to Mine. It was named as one of the best songs released between 1980 and 1983 in the 2008 book The Pitchfork 500: Our Guide to the Greatest Songs from Punk to the Present.

"Born Under Punches (The Heat Goes On)" incorporates elements of African music, continuing an approach used in an earlier Talking Heads song "I Zimbra."[2][3] Allmusic critic Bill Janovitz describes the singer as being "another alienated, lost soul seeing a world filtered through his delusions and paranoia," similar to the protagonists in other Talking Heads' songs.[3] Janvoitz points to the following lyrics to support this assessment:[3]

A government man
Born under punches
I'm a tumbler..I am not drowning man
And I am not a burning building...I'm so thin

Author Ian Gittens also described the singer as being unstable, describing the song as being about "a harassed and apparently unstable 'Government Man'".[2] Janvitz claims that the "thick menage of polyrhythmic percussion, staccato guitars, popping bass, and Devo-like electronic blips and bleeps" make this protagonist even more threatening than the one in the Talking Heads' earlier song "Psycho Killer".[3] Gittens likewise concurs that the contrast with "warmth and gravitas" of the "humane backing" deepens the impression of the singer being unstable.[2] Janovitz particularly praises David Byrne's vocal performance in speaking and shouting his bitter lines and threats through the complex music.[3] Gittens particularly praises Brian Eno's production, stating that the way Eno layered the multiple guitar, bass guitar and drum parts gave the song an "original, sharply conceived and imposingly textured" sound.[2]

A medley of "Born Under Punches (The Heat Goes On)" with two other songs from Remain in Light, "Crosseyed and Painless" and "Once in a Lifetime," reached #20 on the Billboard Dance Music/Club Play Singles chart.[4]

References[edit]

  1. ^ Schill, Fred (November 18, 1980). "Talking Heads:The beat deepens". The Michigan Daily. Retrieved 5 January 2012. 
  2. ^ a b c d Gittens, I. (2004). Talking Heads: Once in a Lifetime : the Stories Behind Every Song. Hal Leonard. pp. 66–67. ISBN 9780634080333. 
  3. ^ a b c d e Janovitz, B. "Born Under Punches (The Heat Goes On)". Allmusic. Retrieved 2014-03-30. 
  4. ^ "Remain in Light Awards". Allmusic. Retrieved 2014-03-30.