Black Madonna

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A Black Madonna or Black Virgin is a statue or painting of Mary in which she is depicted with dark skin, especially those created in Europe in the medieval period or earlier. The Black Madonnas are generally found in Catholic areas. The term refers to a type of Marian statue or painting of mainly medieval origin (12C-15C), with dark or black features whose exact origins are not always easy to determine.[1] The statues are mostly wooden but occasionally stone, often painted and up to 75 cm (30 in) tall. They fall into two main groups: free-standing upright figures and seated figures on a throne. The pictures are usually icons which are Byzantine in style, often made in 13th or 14th century Italy. There are about 450–500 Black Madonnas in Europe, depending on how they are classified. There are at least 180 Vierges Noires in France, and there are hundreds of non-medieval copies as well. Some are in museums, but most are in churches or shrines and are venerated by devotees. A few are associated with miracles and attract substantial numbers of pilgrims.

Important early studies of dark images in France were done by Marie Durand-Lefebvre (1937), Emile Saillens (1945), and Jacques Huynen (1972). The first notable study of the origin and meaning of the so-called Black Madonnas in English appears to have been presented by Leonard Moss at a meeting of the American Association for the Advancement of Science on Dec. 28, 1952. Moss broke the images into three categories: 1) dark brown or black madonnas with physiognomy and skin pigmentation matching that of the indigenous population; 2) various art forms that have turned black as a result of certain physical factors such as deterioration of lead-based pigments, accumulated smoke from the use of votive candles, and accumulation of grime over the ages, and 3) residual category with no ready explanation.[1]

List of Black Madonnas[edit]



La Vierge Noire d'Outremeuse Procession


Tindari Madonna Bruna: restoration work in the 1990s found a medieval statue with later additions. Nigra sum sed formosa, meaning "I am black but beautiful" (from the Song of Songs, 1:5), is inscribed round a newer base.

Czech Republic[edit]


La Vierge noire de Guingamp


















Three icons portraying the Theotokos with black skin survived in Turkey to the present-day. One of which is housed in the church of Halki theological seminary.

One of three of Turkey's surviving icons of the Theotokos which is found on the island of Heybeliada at the Theological School of Halki

The Americas[edit]



Costa Rica[edit]

Trinidad and Tobago[edit]

United States[edit]


The Philippines[edit]

The madonna as reflecting ancient cults[edit]

According to Stephen Benko, "the Black Madonna is the ancient earth-goddess converted to Christianity." His argument begins by noting that many goddesses were pictured as black, among them Artemis of Ephesus, Isis, Ceres, and others. Ceres, the Roman goddess of agricultural fertility, is particularly important. Her Greek equivalent is Demeter, Earth Mother. The best fertile soil is black in color and the blacker it is, the more suited it is for agriculture.[1]

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