Beloved (novel)

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Beloved
BelovedNovel.jpg
First edition cover
AuthorToni Morrison
CountryUnited States
GenreMagical Realism
PublisherAlfred Knopf
Publication date
September 1987
Pages324 pp
ISBN1-58060-120-0
 
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Beloved
BelovedNovel.jpg
First edition cover
AuthorToni Morrison
CountryUnited States
GenreMagical Realism
PublisherAlfred Knopf
Publication date
September 1987
Pages324 pp
ISBN1-58060-120-0

Beloved is a novel by the American writer Toni Morrison. Set after the American Civil War (1861–1865), it is inspired by the story of an African-American slave, Margaret Garner, who temporarily escaped slavery during 1856 in Kentucky by fleeing to Ohio, a free state. A posse arrived to retrieve her and her children under the Fugitive Slave Act of 1850, which gave slave owners the right to pursue slaves across state borders. Margaret killed her two-year-old daughter rather than allow her to be recaptured.

Beloved's main character, Sethe, kills her daughter and tries to kill her other three children when a posse arrives in Ohio to return them to Sweet Home, the Kentucky plantation from which Sethe recently fled. A woman presumed to be her daughter, called Beloved, returns years later to haunt Sethe's home at 124 Bluestone Road, Cincinnati. The story opens with an introduction to the ghost: "124 was spiteful. Full of a baby's venom."[1]

The novel won the Pulitzer Prize for Fiction in 1988[2] and was a finalist for the 1987 National Book Award.[3] It was adapted during 1998 into a movie of the same name starring Oprah Winfrey. During 2006 a New York Times survey of writers and literary critics ranked it as the best work of American fiction of the past 25 years.[4]

The book's epigraph reads "Sixty Million and more," dedicated to the Africans and their descendants who died as a result of the Atlantic slave trade.[5]

Plot summary[edit]

The book concerns the story of Sethe and her daughter Denver after their escape from slavery. Their home in Cincinnati is haunted by a revenant, whom they believe to be the ghost of Sethe's daughter. Because of the haunting—which often involves objects being thrown around the room—Sethe's youngest daughter Denver is shy, friendless, and housebound, and her sons, Howard and Buglar, have run away from home by age 13. Baby Suggs, the mother of Sethe's husband Halle, dies in her bed soon afterward.

Paul D, one of the slaves from Sweet Home, the plantation where Baby Suggs, Sethe, Halle, and several other slaves once worked, arrives at Sethe's home and tries to bring a sense of reality into the house. In attempting to make the family forget the past, he forces out the spirit. He seems successful at first; he even brings housebound Denver out of the house for the first time in years. But on the way back, they encounter a young woman sitting in front of the house. She calls herself Beloved. Paul D is suspicious and warns Sethe, but she's charmed by the young woman and ignores him. Gradually, Paul D. is forced out of Sethe's home by a supernatural presence.

When made to sleep outside in a shed, Paul D is cornered by Beloved. While they have sex, his mind is filled with horrific memories from his past. Overwhelmed with guilt, Paul D tries to tell Sethe about it but cannot, and instead says he wants her pregnant. Sethe is elated, and Paul D resists Beloved and her influence over him. But when he tells friends at work about his plans to start a new family, they react fearfully. Stamp Paid reveals the reason for the community's rejection of Sethe.

When Paul D asks Sethe about it, she tells him what happened: After escaping from Sweet Home and reaching her waiting children at her mother-in-law's home, Sethe was found by her master, who attempted to reclaim her and her children. Sethe grabbed her children, ran into the toolshed, and tried to kill them all. She succeeded only in killing her eldest daughter by running a saw along her neck. Sethe claims that she was "trying to put my babies where they would be safe". The revelation is too much for Paul D and he leaves. Without him, sense of reality and time moving forward disappears.

Sethe comes to believe that Beloved is the 2-year-old daughter she murdered, whose tombstone reads only "Beloved". Sethe begins to spend carelessly and spoil Beloved out of guilt. Beloved becomes angry and more demanding, throwing tantrums when she doesn't get her way. Beloved's presence consumes Sethe's life to the point where she becomes depleted and sacrifices her own need for eating, while Beloved grows bigger and bigger.

In the novel's climax, youngest daughter Denver reaches out and searches for help from the black community and some of the village women arrive at the house to exorcise Beloved. At the same time, a white man comes into view, the same man that helped Halle's mother, Baby Suggs, by offering her the house as a place to stay after Halle bought her from their owner. He has come for Denver, who asked him for a job. She got the job and he is picking her up on his way home, but Denver has not shared this information. Sethe, unaware of the situation, attacks the white man with an ice pick and is brought down by the village women; in the meantime, Beloved disappears from the home. While Sethe is confused and has a "rememory" of her master coming again, Beloved disappears. The novel resolves with Denver becoming a working member of the community and Paul D returning to Sethe and pledging his love.

Major themes[edit]

Mother-daughter relationships[edit]

The maternal bonds between Sethe and her children inhibit her own individuation and prevent the development of her self. Sethe develops a dangerous maternal passion that results in the murder of one daughter, her own “best self,” and the estrangement of the surviving daughter from the black community, both in an attempt to salvage her “fantasy of the future,” her children, from a life in slavery. However, Sethe fails to recognize her daughter Denver’s need for interaction with this community in order to enter into womanhood. Denver finally succeeds at the end of the novel in establishing her own self and embarking on her individuation with the help of Beloved. Contrary to Denver, Sethe only becomes individuated after Beloved’s exorcism, at which point Sethe can fully accept the first relationship that is completely “for her,” her relationship with Paul D. This relationship relieves Sethe from the ensuing destruction of herself that resulted from the maternal bonds controlling her life.[6] Beloved and Sethe are both very much emotionally impaired as a result of Sethe’s previous enslavement. Slavery creates a situation where a mother is separated from her child, which has devastating consequences for both parties. Often, mothers do not know themselves to be anything except a mother, [source needed] so when they are unable to provide maternal care for their children, or their children are taken away from them, they feel a lost sense of self. Similarly, when a child is separated from his or her mother, he or she loses the familial identity associated with mother-child relationships. Sethe was never able to see her mother’s true face (because her smile was distorted from having spent too much time “with the bit”) so she was not able to connect with her own mother, and therefore does not know how to connect to her own children, even though she longs to. Furthermore, the earliest need a child has is related to the mother: the baby needs milk from the mother. Sethe is traumatized by the experience of having her milk stolen because it means she cannot form the symbolic bond between herself and her daughter.[1]

Psychological impact of slavery[edit]

Because of the experiences of slavery, most slaves repressed these memories in an attempt to forget the past. This repression and dissociation from the past causes a fragmentation of the self and a loss of true identity. Sethe, Paul D. and Denver all experience this loss of self, which could only be remedied by the acceptance of the past and the memory of their original identities. Beloved serves to remind these characters of their repressed memories, eventually causing the reintegration of their selves.[7]

Slavery splits a person into a fragmented figure.[8] The identity, consisting of painful memories and unspeakable past, denied and kept at bay, becomes a "self that is no self." To heal and humanize, one must constitute it in a language, reorganize the painful events and retell the painful memories. As a result of suffering, the "self" becomes subject to a violent practice of making and unmaking, once acknowledged by an audience becomes real. Sethe, Paul D, and Baby Suggs who all fall short of such realization, are unable to remake their selves by trying to keep their pasts at bay. The 'self' is located in a word, defined by others. The power lies in the audience, or more precisely, in the word – once the word changes, so does the identity. All of the characters in Beloved face the challenge of an unmade self, composed of their "rememories" and defined by perceptions and language. The barrier that keeps them from remaking of the self is the desire for an "uncomplicated past" and the fear that remembering will lead them to "a place they couldn't get back from."[9]

Film adaptation[edit]

In 1998, the novel was made into a film directed by Jonathan Demme and produced by and starring Oprah Winfrey.

Legacy[edit]

Beloved received the Frederic G. Melcher Book Award, which is named for an editor of Publishers Weekly. In accepting the award on October 12, 1988, Morrison observed that “there is no suitable memorial or plaque or wreath or wall or park or skyscraper lobby” honoring the memory of the human beings forced into slavery and brought to the United States. “There’s no small bench by the road,” she continued. “And because such a place doesn’t exist (that I know of), the book had to.” Inspired by her remarks, the Toni Morrison Society has now begun to install benches at significant sites in the history of slavery in America. The New York Times reported July 28, 2008, that the first “bench by the road” was dedicated July 26 on Sullivan's Island, South Carolina, which served as the place of entry for approximately 40 percent of the enslaved Africans brought to the United States.

It received the seventh annual Robert F. Kennedy Center for Justice and Human Rights Book Award in 1988, given to a novelist who "most faithfully and forcefully reflects Robert Kennedy's purposes - his concern for the poor and the powerless, his struggle for honest and even-handed justice, his conviction that a decent society must assure all young people a fair chance, and his faith that a free democracy can act to remedy disparities of power and opportunity."[10]

References[edit]

  1. ^ a b Schapiro, Barbara (Summer 1991). "The Bonds of Love and the Boundaries of Self in Toni Morrison’s Beloved". Contemporary Literature Closed access (Madison, Wisconsin: University of Wisconsin Press) 32 (2): 194–210.
  2. ^ Hevesi, Dennis (April 1, 1988). "Toni Morrison's Novel 'Beloved' Wins the Pulitzer Prize in Fiction". The New York Times.
  3. ^ "National Book Awards - 1987". National Book Foundation. Retrieved 14 January 2014. 
  4. ^ The New York Times (May 21, 2006). "What Is the Best Work of American Fiction of the Last 25 Years?". The New York Times.
  5. ^ Angelo, Bonnie (May 22, 1987). "Toni Morrison: The Pain of Being Black". Time (subscription required) (Time Inc.). p. 4. ISSN 0040-781X. Retrieved November 20, 2012. "Q. Beloved is dedicated to the 60 million who died as a result of slavery. A staggering number – is this proved historically? A. Some historians told me 200 million died. The smallest number I got from anybody was 60 million . . . A lot of people died." 
  6. ^ Demetrakopoulos, Stephanie A (Spring 1992). "Maternal Bonds as Devourers of Women’s Individuation in Toni Morrison’s Beloved". African American Review Closed access (Terre Haute, Indiana: Indiana State University) 25 (1): 51–59.
  7. ^ Koolish, Lynda (Winter 2001). "'To be Loved and Cry Shame': A Psychological Reading of Toni Morrison’s Beloved". MELUS Closed access (Storrs, Connecticut: MELUS, University of Connecticut) 26 (4): 169–195.
  8. ^ Fulton, Lara Mary (1997). "An unblinking gaze: Readerly response-ability and racial reconstructions in Toni Morrison's The Bluest Eye and Beloved" (M.A. thesis). Waterloo, Ontario: Wilfrid Laurier University
  9. ^ Boudreau, Kristen (Autumn 1995). "Pain and the Unmaking of Self in Toni Morrison's Beloved". Contemporary Literature (Madison, Wisconsin: University of Wisconsin Press) 36 (3): 447–465. JSTOR 1208829.
  10. ^ . RFKcenter.org http://rfkcenter.org/book-award?lang=en.  Missing or empty |title= (help)

External links[edit]