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|Being and Nothingness|
The French edition
|Original title||L'Être et le néant|
|Pages||638 (Routledge edition)|
|ISBN||0-415-04029-9 (Routledge edition)|
|Being and Nothingness|
The French edition
|Original title||L'Être et le néant|
|Pages||638 (Routledge edition)|
|ISBN||0-415-04029-9 (Routledge edition)|
Being and Nothingness: An Essay on Phenomenological Ontology (French: L'Être et le néant : Essai d'ontologie phénoménologique), sometimes subtitled A Phenomenological Essay on Ontology, is a 1943 book by philosopher Jean-Paul Sartre. Sartre's main purpose is to assert the individual's existence as prior to the individual's essence. His overriding concern in writing the book was to demonstrate that free will exists.
While a prisoner of war in 1940 and 1941, Sartre read Martin Heidegger's Being and Time, an ontological investigation through the lens and method of Husserlian phenomenology (Edmund Husserl was Heidegger's teacher). Reading Being and Time initiated Sartre's own enquiry leading to the publication in 1943 of Being and Nothingness whose subtitle is "A Phenomenological Essay on Ontology". Sartre's essay is clearly influenced by Heidegger though Sartre was profoundly skeptical of any measure by which humanity could achieve a kind of personal state of fulfillment comparable to the hypothetical Heideggerian re-encounter with Being.
In Sartre's much gloomier account in Being and Nothingness, man is a creature haunted by a vision of "completion", what Sartre calls the ens causa sui, literally "a being that causes itself", which many religions and philosophers identify as God. Born into the material reality of one's body, in a material universe, one finds oneself inserted into being. Consciousness has the ability to conceptualize possibilities, and to make them appear, or to annihilate them.
In the introduction, Sartre sketches his own theory of consciousness, being, and phenomena through criticism of both earlier phenomenologists (most notably Husserl and Heidegger) as well as idealists, rationalists, and empiricists. According to him, one of the major achievements of modern philosophy is phenomenology because it disproved the kinds of dualism that set the existent up as having a "hidden" nature (such as Immanuel Kant's noumenon); Phenomenology has removed "the illusion of worlds behind the scene".
Based on an examination of the nature of phenomena, he describes the nature of two types of being, being-in-itself and being-for-itself. While being-in-itself is something that can only be approximated by human being, being-for-itself is the being of consciousness.
When we go about the world, we have expectations which are often not fulfilled. For example, Pierre is not at the café where we thought we would meet him, so there is a negation, a void, a nothingness, in the place of Pierre. When looking for Pierre his lack of being there becomes a negation; everything he sees as he searches the people and objects about him are "not Pierre". So Sartre claims, "It is evident that non-being always appears within the limits of a human expectation."
Bad faith (or "self-deception") can be understood as the guise of existing as a character, individual, or person who defines himself through the social categorization of his formal identity. This essentially means that in being a waiter, grocer, etc., one must believe that their social role is equivalent to their human existence. Living a life defined by one's occupation, social, racial, or economic class, is the very essence of "bad faith", the condition in which people cannot transcend their situations in order to realize what they must be (human) and what they are not (waiter, grocer, etc.). It is also essential for an existent to understand that negation allows the self to enter what Sartre calls the "great human stream". The great human stream arises from a singular realization that nothingness is a state of mind in which we can become anything, in reference to our situation, that we desire.
The difference between existence and identity projection remains at the heart of human subjects who are swept up by their own condition, their "bad faith". An example of projection that Sartre uses is the café waiter who performs the duties, traditions, functions, and expectations of a café waiter:
[W]hat are we then if we have the constant obligation to make ourselves what we are if our mode of being is having the obligation to be what we are? Let us consider this waiter in the café. His movement is quick and forward, a little too precise, a little too rapid. He bends forward a little too eagerly; his voice, his eyes express an interest a little too solicitous for the order of the customer. Finally there he returns, trying to imitate in his walk the inflexible stiffness of some kind of automaton while carrying his tray with the recklessness of a tight-rope-walker by putting it in a perpetually unstable, perpetually broken equilibrium which he perpetually re-establishes by a light movement of the arm and hand. All his behavior seems to us a game. He applies himself to changing his movements as if they were mechanisms, the one regulating the other; his gestures and even his voice seems to be mechanisms; he gives himself the quickness and pitiless rapidity of things. He is playing, he is amusing himself. But what is he playing? We need not watch long before we can explain it: he is playing at being a waiter in a café. There is nothing there to surprise us.
Sartre consistently mentions that in order to get out of bad faith, one must realize that their existence and their formal projection of a self are distinctly separate and within the means of human control. This separation is a form of nothingness. Nothingness, in terms of bad faith, is characterized by Sartre as the internal negation which separates pure existence and identity, and thus we are subject to playing our lives out in a similar manner. An example is something that is what it is (existence) and something that is what it is not (a waiter defined by his occupation).
However, Sartre takes a stance against characterizing bad faith in terms of "mere social positions". Says Sartre, "I am never any one of my attitudes, any one of my actions." The good speaker is the one who plays at speaking because he cannot be speaking. This literally means that, like the café waiter, the speaker is not his condition or social categorization, but is a speaker consumed by bad faith. Thus, we must realize what we are (beings who exist) and what we are not (a social/historical preoccupation) in order to step out of bad faith. Yet, existents (human beings) must maintain a balance between existence, their roles, and nothingness to become authentic beings.
Additionally, an important tenet of bad faith is that we must enact a bit of "good faith" in order to take advantage of our role to reach an authentic existence. The authentic domain of bad faith is realizing that the role we are playing is the lie. To live and project into the future as a project of a self, while keeping out of bad faith and living by the will of the self is living life authentically.
One of the most important implications of bad faith is the abolition of traditional ethics. Being a "moral person" requires one to deny authentic impulses (everything that makes us human) and allow the will of another person to change one's actions. Being "a moral person" is one of the most severe forms of bad faith. Sartre essentially characterizes this as "the faith of bad faith" which is and should not be, in Sartre's opinion, at the heart of one's existence. Sartre has a very low opinion of conventional ethics, condemning it as a tool of the bourgeoisie to control the masses.
Bad faith also results when individuals begin to view their life as made up of distinct past events. By viewing one's ego as it once was rather than as it currently is, one ends up negating the current self and replacing it with a past self that no longer exists.
The mere possible presence of another person causes one to look at themselves as an object and see their world as it appears to the other. This is not done from a specific location outside oneself, but is non-positional. This is a recognition of the subjectivity in others.
This transformation is most clear when one sees a mannequin that one confuses for a real person for a moment.
Sartre states that many relationships are created by people's attraction not to another person, but rather how that person makes them feel about themselves by how they look at them. This is a state of emotional alienation whereby a person avoids experiencing their subjectivity by identifying themselves with "the look" of the other. The consequence is conflict. In order to maintain the person's own being, the person must control the other, but must also control the freedom of the other "as freedom". These relationships are a profound manifestation of "bad faith" as the for-itself is replaced with the other's freedom. The purpose of either participant is not to exist, but to maintain the other participant's looking at them. This system is often mistakenly called "love", but it is, in fact, nothing more than emotional alienation and denial of freedom through conflict with the other. Sartre believes that it is often created as a means of making the unbearable anguish of a person's relationship to their "facticity" (all of the concrete details against the background of which human freedom exists and is limited, such as birthplace and time) bearable. At its extreme, the alienation can become so intense that due to the guilt of being so radically enslaved by "the look" and therefore radically missing their own freedoms, the participants can experience masochistic and sadistic attitudes. This happens when the participants cause pain to each other, in attempting to prove their control over the other's look, which they cannot escape because they believe themselves to be so enslaved to the look that experiencing their own subjectivity would be equally unbearable.
Sartre explains that "the look" is the basis for sexual desire, declaring that a biological motivation for sex does not exist. Instead, "double reciprocal incarnation" is a form of mutual awareness which Sartre takes to be at the heart of the sexual experience. This involves the mutual recognition of subjectivity of some sort, as Sartre describes: "I make myself flesh in order to impel the Other to realize for herself and for me her own flesh. My caress causes my flesh to be born for me insofar as it is for the Other flesh causing her to be born as flesh."
Even in sex (perhaps especially in sex), men and women are haunted by a state in which consciousness and bodily being would be in perfect harmony, with desire satisfied. Such a state, however, can never be. We try to bring the beloved's consciousness to the surface of their body by use of magical acts performed, gestures (kisses, desires, etc.). But at the moment of orgasm the illusion is ended and we return to ourselves, just as it is ended when the skier comes to the foot of the mountain or when the commodity that once we desired loses its glow upon our purchase of it. There will be, for Sartre, no such moment of completion because "man is a useless passion" to be the ens causa sui, the God of the ontological proof.
Sartre contends that human existence is a conundrum whereby each of us exists, for as long as we live, within an overall condition of nothingness (no thing-ness)—that ultimately allows for free consciousness. But simultaneously, within our being (in the physical world), we are constrained to make continuous, conscious choices.
It is this dichotomy that causes anguish, because choice (subjectivity) represents a limit on freedom within an otherwise unbridled range of thoughts. Subsequently, humans seek to flee our anguish through action-oriented constructs such as escapes, visualizations, or visions (such as dreams) designed to lead us toward some meaningful end, such as necessity, destiny, determinism (God), etc. Thus, in living our lives, we often become unconscious actors—Bourgeois, Feminist, Worker, Party Member, Frenchman, Canadian or American—each doing as we must to fulfill our chosen characters' destinies.
However, Sartre contends our conscious choices (leading to often unconscious actions) run counter to our intellectual freedom. Yet we are bound to the conditioned and physical world—in which some form of action is always required. This leads to failed dreams of completion, as Sartre described them, because inevitably we are unable to bridge the void between the purity and spontaneity of thought and all-too constraining action; between the being and the nothingness that inherently coincide in our self.
Sartre's recipe for fulfillment is to escape all quests by completing them. This is accomplished by rigorously forcing order onto nothingness, employing the "spirit (or consciousness of mind) of seriousness" and describing the failure to do so in terms such as "bad faith" and "false consciousness". Though Sartre's conclusion seems to be that being diminishes before nothingness since consciousness is probably based more on spontaneity than on stable seriousness, he contends that any person of a serious nature is obliged to continuous struggle between:
a) the conscious desire for peaceful self-fulfillment through physical actions and social roles—as if living within a portrait that one actively paints of oneself.
b) the more pure and raging spontaneity of no thing consciousness, of being instantaneously free to overturn one's roles, pull up stakes, and strike out on new paths.
In Sartre's opinion, consciousness does not make sense by itself: it arises only as an awareness of objects. Consciousness is therefore always and essentially consciousness of something, whether this "something" is a thing, a person, an imaginary object, etc. Phenomenologists often refer to this quality of consciousness as "intentionality". Sartre's contribution, then, is that in addition to always being consciousness of something, consciousness is always consciousness of itself. In other words, all consciousness is, by definition, self-consciousness. By "self-consciousness", Sartre does not mean being aware of oneself thought of as an object (e.g., one's "ego"), but rather that, as a phenomenon in the world, consciousness both appears and appears to itself at the same time. By appearing to itself, Sartre argues that consciousness is fully transparent; unlike an ordinary "object" (a house, for instance, of which it is impossible to perceive all of the sides at the same time), consciousness "sees" all aspects of itself at once. This non-positional quality of consciousness is what makes it a unique type of being, a being that exists for itself.
In this sense, Sartre uses phenomenology to describe ontology. Thus, the subtitle An Essay on Phenomenological Ontology or, alternatively, A Phenomenological Essay on Ontology: what truly makes Sartre's a phenomenological ontology is that consciousness's structure is the way that it appears. Philosopher Kenneth Williford suggests that Sartre's reasoning turns on a logic of full phenomenal transparency that might not withstand scrutiny. In other words, Sartre implicitly argues that if consciousness "seems" to possess a certain property, then it actually possesses that property. But, conversely, if consciousness does not seem to possess a certain property, Williford argues that it would be hasty to conclude from this "seeming" that consciousness does not actually possess that property. (For example, consciousness might not "seem", upon reflection, to be brain process, but it is not clear from this "seeming" that consciousness is not, in fact, a brain process.)
Being and Nothingness offers a critique of Sigmund Freud's theory of the unconscious, based on the claim that consciousness is essentially self-conscious. Sartre also argues that Freud's theory of repression is internally flawed. According to Sartre, in his clinical work, Freud encountered patients who seemed to embody a particular kind of paradox—they appeared to both know and not know the same thing. In response, Freud postulated the existence of the unconscious, which contains the "truth" of the traumas underlying the patients' behavior. This "truth" is actively repressed, which is made evident by the patients' resistance to its revelation during analysis. Yet what does the resisting if the patients are unaware of what they are repressing? Sartre finds the answer in what Freud calls the "censor". "The only level on which we can locate the refusal of the subject," Sartre writes, "is that of the censor." Further:
[T]he resistance of the patient implies on the level of the censor an awareness of the thing repressed as such, a comprehension of the end toward which the questions of the psychoanalyst are leading . . . These various operations in their turn imply that the censor is conscious (of) itself. But what type of self-consciousness can the censor have? It must be the consciousness (of) being conscious of the drive to be repressed, but precisely in order not to be conscious of it. What does this mean if not that the censor is in bad faith?
In other words, Sartre views Freud's unconscious to be a scapegoat for the paradox of simultaneously knowing and not knowing the same information. But instead of alleviating the paradox, Freud simply moves it to the censor, establishing "between the unconscious and consciousness an autonomous consciousness in bad faith". Sartre thinks that the postulation of a censor within the psychic economy is therefore redundant: at the level of the censor, we still encounter the same problem of a consciousness that hides something from itself. For Sartre, what Freud identifies as repression is rather indicative of the larger structure of bad faith. Psychoanalysis thus does not yield any special insight, since hiding something from oneself occurs at the level of consciousness as a unified phenomenon, not as part of some intra-psychic mechanism.
Toward the end of Being and Nothingness, Sartre attempts to adapt some of Freud's ideas, and thereby develop an "existential psychoanalysis" in which causal categories are replaced by teleological categories.
Being and Nothingness has been compared to Gilbert Ryle's The Concept of Mind (1949) by Iris Murdoch, who writes that continental philosophy shares the same general orientation as English analytic philosophy. Philosopher Thomas Baldwin argues that Sartre's argument that Freud's theory of repression is internally flawed is based on a misunderstanding of Freud. Baldwin considers Sartre's attempts to adapt Freud's ideas to be of greater interest than his criticisms of Freud.
Explanation of terms based on postscript to the English edition of Being and Nothingness by translator Hazel Barnes