And the Band Played Waltzing Matilda

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George Lambert's Anzac, the landing 1915, depicting the landing at Anzac Cove.

"And the Band Played Waltzing Matilda" is a song written by Scottish-born folk singer-songwriter Eric Bogle in 1971.[1][2] The song describes war as futile and gruesome, while criticising those who seek to glorify it. This is exemplified in the song by the account of a young Australian soldier who is maimed at the Battle of Gallipoli during the First World War. The song is often praised for its imagery of the devastation at Gallipoli. The protagonist, a swagman before the war, loses his legs in the battle and later notes the death of other veterans with time, as younger generations become apathetic to the veterans and their cause. The song incorporates the melody and a few lines of the lyrics of "Waltzing Matilda" at its conclusion.

Many cover versions of the song have been performed and recorded. Liam Clancy, as part of the duo Makem and Clancy, had a number one hit in Ireland with the song in 1976.[3] In May 2001, the Australasian Performing Right Association, as part of its 75th Anniversary celebrations, named "And the Band Played Waltzing Matilda" as one of the Top 30 Australian songs of all time.[4]

Content[edit]

The song is an account of the memories of an old Australian man, who, as a youngster in 1915, had been recruited into the Australian and New Zealand Army Corps and sent to the Battle of Gallipoli. For "ten weary weeks," he kept himself alive as "around [him] the corpses piled higher". He recalls "that terrible day" ... "in the hell that they called Suvla Bay [they] were butchered like lambs at the slaughter" ... "in that mad world of blood, death and fire".

Allegories[edit]

The song, written in 1971,[1] has also been interpreted as alluding to the Vietnam War. The song rails against the romanticising of war. As the old man sits on his porch, watching the veterans march past every ANZAC Day, he muses: "The young people ask what are they marching for, and I ask myself the same question".

History[edit]

The song was originally eight verses long, but Bogle pared it down to five verses.[1] At the 1974 National Folk Festival in Brisbane, Bogle had entered a different song in the songwriting competition. Since the first person who performed sang two songs rather than just one, everyone who followed did the same. Thus, Bogle also sang "Matilda", to great acclaim; some expressed consternation when it did not win the competition.[1]

Jane Herivel from the Channel Islands had heard Bogle sing at the festival and requested Bogle to send her a recording. She sang it at a festival in the south of England where June Tabor heard it and later recorded it. Unknown to Bogle, the song became famous in the UK and North America; so when Bogle was in the UK in 1976 he was surprised to be asked to perform at a local folk club on the strength of the song.[1]

Covers[edit]

The first release of the song was by John Currie on the Australian label M7 in 1975.[5] Cover versions of the song have been performed and recorded by Katie Noonan (Flametree Festival Byron Bay 08), The Irish Rovers, Joan Baez, Priscilla Herdman, Liam Clancy, Martin Curtis, The Dubliners, Ronnie Drew, Danny Doyle, Slim Dusty, The Fenians, Mike Harding, Jolie Holland, Seamus Kennedy, Johnny Logan and Friends, John Allan Cameron, Houghmagandie, John McDermott, Midnight Oil, Christy Moore, The Pogues, The Skids, June Tabor, John Williamson, The Bushwackers and the bluegrass band, Kruger Brothers, Redgum, John Schumann, Tickawinda (on the album "Rosemary Lane"), Orthodox Celts, The Houghton Weavers and Bread and Roses. Audrey Auld (on the album Billabong Song), Garrison Keillor has also performed it on his radio show A Prairie Home Companion when ANZAC Day (25 April) has fallen on a Saturday, and has also performed his own adaptation titled "And the Band Played The Star-Spangled Banner". Phil Coulter released a cover on his 2007 album "Timeless Tranquility - 20 Year Celebration".Ryan Kelly did this song on his second solo cd "Life".

Critic Robert Christgau wrote of the Pogues' cover that vocalist Shane MacGowan "never lets go of it for a second: he tests the flavour of each word before spitting it out."[6]

American Vietnam veteran and Medal of Honor recipient Senator Bob Kerrey, who lost half his leg in the war, sang the song to his supporters after being elected to the United States Senate in 1988,[1] and borrowed the first line for the title of his autobiography, When I Was A Young Man: A Memoir.

Factual inaccuracies[edit]

See also[edit]

References[edit]

  1. ^ a b c d e f g h Casimir, Jon (20 April 2002). "Secret life of Matilda". Music (Sydney Morning Herald). 
  2. ^ ""And The Band Played Waltzing Matilda" at APRA search engine". Australasian Performing Right Association (APRA). Retrieved 2008-10-30. 
  3. ^ Irwin, Colin (29 October 1977). "Folk: When Irish eyes are glaring...". Melody Maker 52 (44): 64. 
  4. ^ Kruger, Debbie (2 May 2001). "The songs that resonate through the years" (PDF). Australasian Performing Right Association (APRA). Archived from the original on 30 October 2008. Retrieved 2008-10-30. 
  5. ^ "Secret life of Matilda". The Sydney Morning Herald. 20 April 2002. 
  6. ^ "Album: The Pogues: Rum Sodomy and the Lash". Robert Christgau. Retrieved 2012-01-04. 
  7. ^ From FirstWorldWar.com
    Battles: The Landings at Suvla Bay, 1915 Updated – Sunday, 9 June 2002
    With three fresh divisions of reinforcements promised to arrive in August 1915 by British war minister Lord Kitchener in London) subsequently increased to five), Mediterranean Commander-in-Chief Sir Ian Hamilton began planning a major Allied offensive on the Gallipoli peninsula to coincide with their arrival. At this time the combined British (including Australian and New Zealand Army Corps – the Anzacs) and French force had established two beachheads on the peninsula: the first on the southern tip at Cape Helles, and the second further north at Ari Burnu (shortly afterwards renamed Anzac Cove). Note:Where the ANZAC's landed was called Anzac Cove in 1985.

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