Abraham Zapruder

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Abraham Zapruder
Born(1905-05-15)May 15, 1905
Kovel, Russian Empire
DiedAugust 30, 1970(1970-08-30) (aged 65)
Dallas, Texas, U.S.
Cause of death
Stomach cancer
Resting place
Emanu-El Cemetery
NationalityAmerican
OccupationDress manufacturer
Known forFilming home movie of the assassination of U.S. President John F. Kennedy
Spouse(s)Lillian Sapovnik (m. 1933–70)
Children2
 
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Abraham Zapruder
Born(1905-05-15)May 15, 1905
Kovel, Russian Empire
DiedAugust 30, 1970(1970-08-30) (aged 65)
Dallas, Texas, U.S.
Cause of death
Stomach cancer
Resting place
Emanu-El Cemetery
NationalityAmerican
OccupationDress manufacturer
Known forFilming home movie of the assassination of U.S. President John F. Kennedy
Spouse(s)Lillian Sapovnik (m. 1933–70)
Children2

Abraham Zapruder (May 15, 1905 – August 30, 1970) was an American manufacturer of women's clothing, but was best known for his home movie documenting the assassination of U.S. President John F. Kennedy on November 22, 1963.

Background[edit]

Zapruder was born on May 15, 1905, into a Russian Jewish family, in the city of Kovel, the Russian Empire (now Ukraine). He received only four years of formal education in Russia. In 1920, amid the turmoil of the Russian Civil War, his family emigrated to the United States, settling in Brooklyn, New York.[1] Studying English at night, he found work as a clothing pattern maker in Manhattan's garment district. In 1933, he married Lillian Sapovnik (1913–1993) with whom he had two children.[2] Zapruder was also a Freemason of the 33rd degree.[3]

In 1941, Zapruder moved to Dallas to work for Nardis, a local sportswear company. He was first listed in the Dallas telephone directory in either 1948 or 1949.[4] In 1949 he co-founded Jennifer Juniors, Inc., producing the Chalet and Jennifer Juniors brands.[5][6] His offices were in the Dal-Tex Building,[7] across the street from the Texas School Book Depository.[8]

Witness to Kennedy assassination[edit]

Inadvertent filming of assassination[edit]

Main article: Zapruder film
Abraham Zapruder's camera, in the collection of the US National Archives

At the time of the assassination, Zapruder was an admirer of President Kennedy and considered himself a Democrat. Zapruder had originally planned to film the motorcade carrying President Kennedy through downtown Dallas on November 22 but decided not to film the event as it had been raining that morning. When he arrived at work that morning without his camera, Zapruder's assistant insisted that he retrieve it from home before going to Dealey Plaza because the weather had cleared.[9]

Zapruder's movie camera was an 8 mm Bell & Howell Zoomatic Director Series Model 414 PD—top of the line when it was purchased in 1962. Zapruder had planned to film the motorcade from his office window but decided to choose a more optimal spot in Dealey Plaza where the motorcade would be passing.[10] He chose to film on top of 4-foot (1.2 m) concrete abutment which extends from a retaining wall that was part of the John Neely Bryan concrete pergola on the grassy knoll north of Elm Street, in Dealey Plaza.[11] Zapruder's secretary, Marilyn Sitzman, offered to assist Zapruder as he suffered from vertigo and was apprehensive about standing on the abutment alone.[10] While Sitzman stood behind Zapruder and held his coat to steady him, he began filming the presidential motorcade as it turned on Houston Street onto Elm Street in front of the Book Depository. Zapruder's film captured 26.6 seconds of the traveling motorcade carrying President Kennedy on 486 frames of Kodak Kodachrome II safety film. Zapruder's film captured the fatal head shot that struck President Kennedy as his limousine passed almost directly in front of Zapruder and Sitzman's position, 65 feet (20 m) from the center of Elm Street.[12]

Zapruder would later recall that he immediately knew that President Kennedy's wound was fatal as he saw the president's head "...explode like a firecracker."[9][13] Walking back to his office amid the confusion following the shots, Zapruder encountered The Dallas Morning News reporter Harry McCormick, who was standing near Zapruder and noticed he was filming the motorcade, approached Zapruder. McCormick was acquainted with Agent Forrest Sorrels of the Secret Service's Dallas office and offered to bring Sorrels to Zapruder's office.[14][15] Zapruder continued to his office where he sent his assistant Lillian Rogers to find a Secret Service agent, in case McCormick failed to find Sorrels. McCormick did find Sorrels, outside the Sheriff's office at Main and Houston, and together they went to Zapruder's office.

Zapruder agreed to give the film to Sorrels on the condition it would be used only for investigation of the assassination. The group took the film to the television station WFAA to be developed. After it was realized that WFAA was unable to develop Zapruder's footage, in the late afternoon it was taken to Eastman Kodak's Dallas processing plant where it was immediately developed. Because under the Kodachrome process different equipment is required for duplication than for simple development, around 6:30 p.m. the developed original was taken to the Jamieson Film Company, where three additional copies were exposed; these were returned to Kodak around 8 p.m. for processing. Zapruder kept the original, plus one copy, and gave the other two copies to Sorrels, who sent them to Secret Service headquarters in Washington.

Television interview[edit]

While at WFAA, Zapruder described on live television what he had seen:

JAY WATSON (WFAA, Dallas): [...] May I have your name please, sir?
ABRAHAM ZAPRUDER: My name is Abraham Zapruder.
WATSON: Mister, ZAP-pru-duh?
ZAPRUDER: ZAP-pru-der, yes, sir.
WATSON: ZAP-pru-duh, and would you tell us your story please, sir?[16]
ZAPRUDER: I got out in, uh, about a half-hour earlier to get a good spot to shoot some pictures. And I found a spot, one of these concrete blocks they have down near that park, near the underpass. And I got on top there, there was another girl from my office, she was right behind me. And as I was shooting, as the President was coming down from Houston Street making his turn, it was about a half-way down there, I heard a shot, and he slumped to the side, like this. Then I heard another shot or two, I couldn't say it was one or two, and I saw his head practically open up [places fingers of right hand to right side of head in a narrow cone, over his right ear], all blood and everything, and I kept on shooting. That's about all, I'm just sick, I can't…
WATSON: I think that pretty well expresses the entire feelings of the whole world.
ZAPRUDER: Terrible, terrible.
WATSON: You have the film in your camera, we'll try to get...
ZAPRUDER: Yes, I brought it on the studio, now.
WATSON: We'll try to get that processed and have it as soon as possible.[17]

Sale of rights[edit]

Late that evening, Zapruder was contacted at home by Richard Stolley, an editor at Life magazine (and first editor of the future People magazine). They arranged to meet the following morning to view the film, after which Zapruder sold the print rights to Life magazine for $50,000. Stolley was representing Time/Life on behalf of Publisher Charles Douglas Jackson.

The following day (November 24), Life purchased all rights to the film for a total of $150,000 ($1.16 million today).[18][19]

The night after the assassination, Zapruder said that he had a nightmare in which he saw a booth in Times Square advertising "See the President's head explode!"[20] He determined that, while he was willing to make money from the film, he did not want the public to see the full horror of what he had seen. Therefore, a condition of the sale to Life was that frame 313, showing the fatal shot, would be withheld.[21] Although he made a profit from selling the film, he asked that the amount he was paid not be publicly disclosed. He later donated $25,000 ($193 thousand today) of the money he was paid to the widow of Officer J. D. Tippit, a Dallas police officer who was shot and killed by, according to the Warren Commission, Lee Harvey Oswald 45 minutes after President Kennedy was killed.[9][22][23]

In 1975, Time, Inc. (which owned Life magazine) sold the film back to the Zapruder family for $1. In 1978, the Zapruders allowed the film to be stored at the National Archives and Records Administration where it still remains. In 1999, the Zapruders donated the copyright of the film to the Sixth Floor Museum at Dealey Plaza.[9]

Testimony[edit]

On November 22, United States PRS Special Agent Maxwell D. Phillips sent a hand-written memo[24] to Secret Service head James Rowley, stating that, "According to Mr Zapruder the position of the assassin was behind Mr Zapruder." But in his testimony to the Warren Commission Zapruder was less certain:

LIEBELER: Did you form any opinion about the direction from which the shots came by the sound, or were you just upset by the thing you had seen?
ZAPRUDER: No, there was too much reverberation. There was an echo which gave me a sound all over. In other words that square is kind of—it had a sound all over.

Zapruder added that he had assumed the shots came from behind him not only because the President's head went backwards from the fatal shot, but also that the wound on the side of the President's head was facing that direction. He also said he believed it because police officers ran to the area behind him.[25]

He broke down and wept as he recalled the assassination,[26] and did so again at the 1969 trial of Clay Shaw.[27]

Death[edit]

Zapruder died of stomach cancer in Dallas on August 30, 1970,[28] and is buried in the Emanu-El Cemetery in Dallas.[29]

See also[edit]

References[edit]

  1. ^ Passenger list, S.S. Rotterdam, Port of New York, July 12, 1920, sheet 73, lines 4–7. Zapruder's father Israel had emigrated in advance of the rest of the family.
  2. ^ Richard B. Trask, National Nightmare on Six Feet of Film (Yeoman Press, 2005), p. 18. ISBN 0-9638595-4-4.
  3. ^ "Abraham Zapruder". freemasonry.bcy.ca. Retrieved September 28, 2014. 
  4. ^ Visit to reference services, Dallas Public Library (downtown), June 1985, R. S. Fritzius.
  5. ^ Betty Temple Howell, Southwest Styles: CASUAL OR DRESSY Keep It Smart! The Christian Science Monitor, Oct 26, 1953 Women Today Pg. 10, (1148 words) Forecast for spring from the Dallas Fashion Market emphasizes the importance of fabric in achieving the soft, fluid look… and different age groups by Chalet. of Texas, a firm just four years old in the Dallas market.
  6. ^ http://www.shriners.bc.ca/shriners/zapruder.shtml
  7. ^ Testimony of Abraham Zapruder, Clay Shaw Trial Transcripts, page 7 of 101, AARC the assassination archives and research center.
  8. ^ Bugliosi, Vincent (2007). Reclaiming History: The Assassination of President John F. Kennedy. W. W. Norton & Company. pp. 452–453. ISBN 0-393-07212-6. 
  9. ^ a b c d Ruane, Michael E. (November 21, 2013). "As he filmed, Abraham Zapruder knew instantly that President Kennedy was dead". washingtonpost.com. Retrieved August 15, 2014. 
  10. ^ a b Vågnes, Øyvind (2012). Zaprudered: The Kennedy Assassination Film in Visual Culture. University of Texas Press. p. 4. ISBN 0-292-74258-4. 
  11. ^ Widner, Jonanna (2014). Dallas and Fort Worth. Avalon Travel. p. 43. ISBN 1-612-38527-3. 
  12. ^ Bugliosi 2008 p.453
  13. ^ Russo, Gus; Moses, Harry, ed. (2013). Where Were You?: America Remembers the JFK Assassination. Brokaw, Tom. Globe Pequot. p. 84. ISBN 0-762-79456-9. 
  14. ^ Bugliosi, Vincent (2008). Four Days in November: The Assassination of President John F. Kennedy. W. W. Norton & Company. pp. 87–88. ISBN 0-393-07203-7. 
  15. ^ Zapruder, Alexandra (October 19, 2013). "The Zapruder Legacy: A Vital Witness to President John F. Kennedy's Assassination". parade.condenast.com. Retrieved September 28, 2014. 
  16. ^ Interview with Abraham Zapruder (November 22, 1963). YouTube (video) (WFAA). 00:35–00:43. Retrieved April 14, 2014. 
  17. ^ Transcript of WFAA's interview with Zapruder, from the Sixth Floor Museum. Retrieved 2008-10-28.
  18. ^ The Inflation Calculator, using the Consumer Price Index.
  19. ^ "Kennedy’s Assassination: How LIFE Brought the Zapruder Film to Light". LIFE. October 24, 2013. Retrieved November 14, 2013. 
  20. ^ Richard Stolley, “What Happened Next . . . ,” Esquire, November 1973, pp. 134–135.
  21. ^ The Warren Commission Report reproduced frame 313 in 1964, and Life magazine eventually did as well, in its issue of October 2, 1964, p. 45.
  22. ^ Coleman, William Thaddeus (2010). Counsel for the Situation: Shaping the Law to Realize America's Promise. Bliss, Donald T. Brookings Institution Press. p. 175. ISBN 0-815-70494-1. 
  23. ^ Oliver, Willard; Marion, Nancy E. (2010). Killing the President: Assassinations, Attempts, and Rumored Attempts on U.S. Commanders-in-Chief. ABC-CLIO. p. 127. ISBN 0-313-36475-3. 
  24. ^ Warren Commission Document CD87
  25. ^ Testimony of Abraham Zapruder, Warren Commission Hearings and Exhibits, vol. 7, p. 572.
  26. ^ Testimony of Abraham Zapruder, Warren Commission Hearings and Exhibits, vol. 7, p. 571.
  27. ^ Testimony of Abraham Zapruder, State of Louisiana v. Clay Shaw, February 13, 1969, p. 2.
  28. ^ "A. Zapruder Dies; Took JFK Films", The Dallas Morning News, August 31, 1970.
  29. ^ Franscell, Ron (2010). The Crime Buff's Guide to Outlaw Texas. Globe Pequot. p. 178. ISBN 0-762-77493-2. 

External links[edit]