A Flock of Seagulls

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A Flock of Seagulls
OriginLiverpool, England
GenresNew wave, synthpop, post-punk
Years active1979–1986
1989–2013
LabelsJive, I.R.S., Cocteau
MembersMike Score, Joe Rodriguez (lead guitar), Pando (bass), Michael Brahm (drums)
Past membersMike Score
Ali Score
Frank Maudsley
Mark Edmondson
Paul Reynolds
Ed Berner
Dean Pichette
A.J. Mazzetti
Sean Pugh
Shavin "Pepper" Duffy
 
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A Flock of Seagulls
OriginLiverpool, England
GenresNew wave, synthpop, post-punk
Years active1979–1986
1989–2013
LabelsJive, I.R.S., Cocteau
MembersMike Score, Joe Rodriguez (lead guitar), Pando (bass), Michael Brahm (drums)
Past membersMike Score
Ali Score
Frank Maudsley
Mark Edmondson
Paul Reynolds
Ed Berner
Dean Pichette
A.J. Mazzetti
Sean Pugh
Shavin "Pepper" Duffy

A Flock of Seagulls (also known as Flock of Seagulls) are an English new wave band originally formed in Liverpool by brothers Michael "Mike" Score (keyboards, vocals) and Alister "Ali" James Score (drums), with Francis Lee (Frank) Maudsley (bass), and Paul Reynolds (guitar). A Flock of Seagulls were originally assimilated in the batch of new wave Liverpool acts of the late 1970s and early 1980s, led by OMD and also including The Teardrop Explodes, China Crisis, Echo and the Bunnymen and Frankie Goes to Hollywood.[1]

The group had a string of international hit singles including "I Ran (So Far Away)", "Space Age Love Song," "Wishing (If I Had a Photograph of You)" and "The More You Live, the More You Love", and became notable in the 1980s for their video for the song "I Ran (So Far Away)". The band have also won a Grammy Award.

Renowned for Score's unique hairstyle – which was intended to resemble a seagull – the legacy of A Flock of Seagulls is as something of a joke band, but they have also been hailed as pioneers.

History[edit]

Formation and success[edit]

A Flock of Seagulls was started by Michael Score and his brother Ali in 1979 in Liverpool (The name was taken from The Stranglers song "Toiler on the Sea", according to Mike Score[2]). Mike, who was previously a hairdresser, played keyboards, guitar, and vocals; Ali played drums; and their friend Francis Maudsley played bass. Original guitarist Willie Woo left and was replaced with Paul Reynolds from the band Cindysbeentrippin. After practising above Score's hair salon,[3] the band started playing clubs and eventually got a recording contract.

Eventually, under the management of Tommy Crossan and Mick Rossi (Checkmount Limited), they began to release singles through Jive Records. The group released an EP, Telecommunication, and two singles, "It's Not Me Talking" and "Telecommunication" (both produced by Nelson), on Bill Nelson's Cocteau label; the success of the latter single, a club hit, got them a contract with a major label.[3] In 1982 the group's third single, "I Ran (So Far Away)" (produced by Mike Howlett, formerly the bass player of Gong), became a worldwide hit, reaching number 1 in Australia and the top 10 in the US and New Zealand. The parent album A Flock of Seagulls and another single, "Space Age Love Song", were also successful. In late 1982 the band found major success in their home country with "Wishing (If I Had a Photograph of You)", the first single from their next album, Listen, which reached the top 10.[4] Later, the band was praised for having broken the ground for other musical acts during the advent of the video music area,[5] but as it turned out, 1982 was the peak year of their commercial and critical success.

1983 and after[edit]

1983 saw the release of three more singles from Listen, but they were only minor successes in the UK and abroad. Faced with disappointment the group produced a third album in 1984, The Story of a Young Heart, with "The More You Live, the More You Love" as the lead single. It was moderately successful, but the album's other two singles – "Never Again (The Dancer)" and "Remember David" – did not make any headway. Faced with sliding sales and a loss of direction, the group relocated to Philadelphia, Pennsylvania, minus Paul Reynolds. In 1986, the band released a new album, Dream Come True, which was panned by the critics and flopped commercially. To promote Dream Come True two videos (for "Who's That Girl" and "Heartbeat Like a Drum") were filmed in quick succession, the last time the three remaining members were together in a recording or performance capacity until 2003.

Later career[edit]

For the next eighteen years, Mike Score worked with various musicians under the A Flock of Seagulls banner, playing live gigs and occasionally issuing new recordings. In 1989, the group released a single called "Magic" which did not chart. The follow-up album (The Light at the End of the World) which included the single did not appear until 1996, and similarly did not chart.

In November 2003, the original line-up (Mike and Ali Score, Paul Reynolds and Frank Maudsley) reunited for a one-off performance on the VH1 series, Bands Reunited. In September 2004, they reformed again and played a few shows in the United States, but broke up immediately afterward. Mike Score continues to tour with Joe Rodriguez (1999), Pando (2003) & Michael Brahm (2003) as A Flock of Seagulls. In 2006, the band re-recorded the Madonna song "This Used to Be My Playground" for the 2006 Madonna tribute album The World's Greatest 80s Tribute to Madonna.

On 4 February 2013, Score indicated via his YouTube account that he had left the band to pursue his solo career (his exact words are that he is ex-lead singer), and he was the only permanent member left of the band.[citation needed]

On 20 September 2013, he played as A Flock of Seagulls with the usual last musicians at The Emporium in Patchogue, NY.[6]

On 12 October 2013, A Flock of Seagulls played in Minneapolis, Minnesota for the ninth annual Zombie Pub Crawl with Sublime.

Legacy[edit]

A Flock of Seagulls have garnered a reputation as something of a joke band, of which modern listeners express an ironic appreciation. The New Musical Express wrote: "Of course, everyone remembers this group [A Flock of Seagulls] now for singer Mike Score's ridiculous back-combed haircut and the fact that they are mentioned in Pulp Fiction. So now they're kind of cool, but in the early '80s it was a different story."[7] In a 2007 article for The Guardian, Alfred Hickling described the group as "dreadful", and unfavourably compared them to Liverpool new wave peers OMD and other acts of the time.[1]

Although parodied, the band has also been recognised as a pioneering act, capturing the zeitgeist of their time, particularly with the guitar work of Paul Reynolds and sonically multi-layered hits such as "Space Age Love Song," "Telecommunication," and "Modern Love is Automatic."[8] The band also is noted for creating a successful concept album, their debut, which alludes to an alien invasion of earth.[9]

The video for "I Ran" was low budget (even for the time) but enjoyed enormous success, at one time finding its way to MTV's rotation every ten minutes. The group has the record for actual number of video plays, both due to the lack of other music videos available during the music channel's early years, and the demand for the futuristic look.[10]

In the 1998 movie The Wedding Singer, a ticket desk clerk with a Mike Score-like hair style asks Robbie Hart (Adam Sandler) if he is a Flock of Seagulls fan.

Discography[edit]

Main Article: A Flock of Seagulls discography

Grammy Award[edit]

The album track, "D.N.A." from A Flock of Seagulls, won a Grammy Award in 1983 for Best Rock Instrumental Performance.[11]

References[edit]

  1. ^ a b Hickling, Alfred (19 March 2007). "The Electric Hills". The Guardian. Retrieved 5 November 2013. 
  2. ^ Flock Of Seagulls Interview on MadPod Part 1. YouTube. Retrieved 6 November 2013. 
  3. ^ a b Thompson, Dave (2000). Alternative Rock. Hal Leonard. pp. 141–42. ISBN 978-0-8793-0607-6. Retrieved 20 January 2013. 
  4. ^ "A Flock of Seagulls". UK Singles Chart. Official Charts Company. Retrieved 6 November 2013. 
  5. ^ Cross, Charles R. (30 August 2001). "Never mind the hair bands, here's a Flock of Seagulls!". Salon.com. The Associated Press. Retrieved 6 November 2013. 
  6. ^ "A Flock Of Seagulls Live At The Emporium Patchogue NY 9-20-13 (EXCLUSIVE COVERAGE)". Cryptic Rock. 25 September 2013. Retrieved 18 November 2013. 
  7. ^ "252-281: The '80s". 501 Lost Songs (NME): 53. 2011. 
  8. ^ Carpenter, Megan M. (2010). "Space Age Love Song: The Mix Tape in a Digital Universe". Works.bepress.com. Retrieved 6 November 2013. 
  9. ^ Duxbury, Janell R. (1988). Shakespeare Meets the Backbeat: Literary Allusion in Rock Music. Taylor & Francis. 
  10. ^ Janosik, MaryAnn (2006). The Greenwood Encyclopedia of Rock History: The video generation, 1981-1990. Greenwood Press. ISBN 978-0-3133-2943-2. Retrieved 6 November 2013. 
  11. ^ "A Flock of Seagulls – Awards". Allmusic. Rovi Corporation. Retrieved 6 November 2013. 

External links[edit]